33 products were found matching your search for Herzog Heinrich II in 2 shops:

With the international success of the classic film Das Boot, U-96 is arguably the most famous of all German U-boats. Here is the true story of U-96, and its legendary commander Heinrich Lehmann-Willenbrock. In continuous combat from September 1940 to March 1945, follow the crew of U-96 from their bases in Kiel, Germany, as well as Lorient and St. Nazaire on the west coast of France, to intense combat against Allied shipping. During eleven combat patrols in the North Atlantic under Lehmann-Willenbrock, U-96 sank twenty-four Allied ships, eventually earning its commander the Knight’s Cross with Oak Leaves. One of their patrols was documented by war correspondent Lothar-Günther Buchheim, which was later novelized and made into the film Das Boot. This biography of  Heinrich Lehmann-Willenbrock, and history of U-96 is based on the WWII captain’s log as well as the recollections of crewmembers.

With the international success of the classic film Das Boot, U-96 is arguably the most famous of all German U-boats. Here is the true story of U-96, and its legendary commander Heinrich Lehmann-Willenbrock. In continuous combat from September 1940 to March 1945, follow the crew of U-96 from their bases in Kiel, Germany, as well as Lorient and St. Nazaire on the west coast of France, to intense combat against Allied shipping. During eleven combat patrols in the North Atlantic under Lehmann-Willenbrock, U-96 sank twenty-four Allied ships, eventually earning its commander the Knight’s Cross with Oak Leaves. One of their patrols was documented by war correspondent Lothar-Günther Buchheim, which was later novelized and made into the film Das Boot. This biography of  Heinrich Lehmann-Willenbrock, and history of U-96 is based on the WWII captain’s log as well as the recollections of crewmembers.

Spring, 1944: Maria Herzog is a thirteen-year-old German girl living in Ukraine and praying for the end of World War II. On March 19th, Maria, her father, mother (eight months pregnant), and three younger brothers are put on a small horse-drawn wagon and sent west, along with thousands of other ethnic Germans “liberated” by the retreating Nazi army. Over the next three years, Maria carries her new baby brother in her arms as she trudges alongside the too-small wagon through Romania and Poland, helps her mother protect and feed her four brothers even while she herself must be safe-guarded from soldiers of various armies, survives countless nights in a Berlin air raid shelter, works on a farm in what will become East Germany and, along with her mother and four brothers, is finally reunited with her ex-p.o.w father in what will become West Germany. Multiple, repeated efforts over five years result in Maria and her family coming to the United States, where she can finally leave behind the life of a refugee across half a dozen countries and become an American citizen. She marries a good man and has the opportunity to raise her own children and grandchildren in the peace and freedom denied to her for the fi rst twenty years of life. This is the first-person narrative of Maria Herzog McKeirnan, now 86 years old, and the story of thousands of others like her who survived a communist regime and German occupation in Ukraine, a harrowing 1,500 mile trek through war-ravaged Europe, and countless dangers, as she and her family found various temporary shelters in the midst of the raging storms that were her daily experience of life. Her story is a tribute to the importance of hope and to the resilience of the human spirit in the midst of violence and the seemingly inevitable destruction of civilization. Anyone who is interested in the power of family and its role in human survival will find this story to be interesting, inspiring and restorative.

Offers information on the life of Heinrich Mèuller, the chief of the Gestapo, and his role in World War II.

On 22 May 1945, in the immediate aftermath of World War II, the Allies celebrated the capture of the most important member of the Nazi hierarchy, Reichsführer Heinrich Himmler. The SS leader was arrested and interrogated but committed suicide in Allied custody by ingesting poison from a capsule concealed in his mouth. Then he was buried at a secret site on Lüneberg Heath. But Himmler did not rest in peace, if Himmler it was who was buried there.Months later the British disinterred, re-examined, and cremated his body. Yet in 1946 MI6's most talented, if treacherous, agent, Kim Philby, was still not convinced that the story of Himmler's death made any sense at all. Philby realized that a man of Himmler's organizational genius, a plotter of great intricacy and sophistication who recognized Germany's inevitable defeat as early as 1943, was unlikely to have just blundered into the arms of the Allies. What really happened?Hugh Thomas set out to answer Philby's question and uncovered a maze of corruption, high finance, political gambles, and international intrigue. The Strange Death of Heinrich Himmler unearths not just Himmler's grave, but reveals secrets that have long remained buried, and shadowy figures who would rather stay that way.

This title represents a fascinating glimpse into assault-gun fighting in World War II by a highly decorated soldier who fought with Sturmgeschütz units in France and Russia. Heinrich Engel started the war a young enlisted soldier assigned to an antitank battalion. After participating in the Campaign in Poland, he volunteered for the newly created assault-gun branch of service, the Sturmartillerie. He was assigned to Sturmgeschütz-Batterie 660, one of the first three assault-gun batteries created by the German Army. He fought in that unit as an assault-gun driver in the French Campaign and the initial stages of the war in Russia. Heinrich Engel not only wrote down his thoughts and feelings during those times in his diaries, but captured much of what he describes in photographs. After combating sciatica, which removed him from the front lines in the early part of 1942, Engel returned to the Eastern Front in 1943 as a gun commander in the newly formed Sturmgeschütz-Abteilung 259. It was there that he was to receive the Knight’s Cross for knocking out 15 Russian tanks on a single day in September 1943. Engel returned to Germany due to continued problems with sciatica and spent the remainder of the war serving with various training establishment units. Although removed fairly early from the war, Engel’s diaries and nearly 200 black and white photographs offer insight into one of the more fascinating sidebars of armored warfare history. In addition to the many photographs, which accompany the text, additional material is provided the reader concerning Engel’s military career and the units he served in.

This title represents a fascinating glimpse into assault-gun fighting in World War II by a highly decorated soldier who fought with Sturmgeschütz units in France and Russia. Heinrich Engel started the war a young enlisted soldier assigned to an antitank battalion. After participating in the Campaign in Poland, he volunteered for the newly created assault-gun branch of service, the Sturmartillerie. He was assigned to Sturmgeschütz-Batterie 660, one of the first three assault-gun batteries created by the German Army. He fought in that unit as an assault-gun driver in the French Campaign and the initial stages of the war in Russia. Heinrich Engel not only wrote down his thoughts and feelings during those times in his diaries, but captured much of what he describes in photographs. After combating sciatica, which removed him from the front lines in the early part of 1942, Engel returned to the Eastern Front in 1943 as a gun commander in the newly formed Sturmgeschütz-Abteilung 259. It was there that he was to receive the Knight’s Cross for knocking out 15 Russian tanks on a single day in September 1943. Engel returned to Germany due to continued problems with sciatica and spent the remainder of the war serving with various training establishment units. Although removed fairly early from the war, Engel’s diaries and nearly 200 black and white photographs offer insight into one of the more fascinating sidebars of armored warfare history. In addition to the many photographs, which accompany the text, additional material is provided the reader concerning Engel’s military career and the units he served in.

At the end of World War II, it was assumed that the letters of Heinrich Himmler were lost. Yet sixty years after Himmler's capture by British troops and subsequent suicide, the letters mysteriously turned up in Tel Aviv and, in early 2014, excerpts were published for the first time by the Israeli newspaper Yediot Aharonot providing a rare, if jarring, glimpse into the family life of one of Hitler's top lieutenants while he was busy organizing the mass extermination of the Jews. It was generally held that Himmler, once appointed head of the SS, blended seamlessly into the Nazi hierarchy. The image that emerges, however, is more subtle. Himmler is seen here as a man whose observations can often be characterized by their unpleasant banality; a man whose obsession with family life ran alongside a brutal detachment from all things human, a serial killer who oversaw the persecution and extermination of all Jews and other non-Aryans, and those opposed to the regime. His letters remove any doubt that he was the architect of the Final Solution, and a man who was much closer to Hitler than many historians previously thought. The letters in this edition were arranged by Katrin Himmler, the great-niece of Heinrich and Marga Himmler, and Michael Wildt, a renowned expert on the Nazi regime, who also provide historical context to the letters and their author. The entire work was translated by Thomas S. Hansen and Abby J. Hansen.

The 27 concerti of the "Symphoniae sacrae II" by Heinrich Schtz are milestones in the development of the German-language sacred concerto for virtuoso solo singers, instruments and basso continuo: highly sophisticated, complex, moving, musically and historically valuable and compositionally refined, with exceptional concentration of events and wealth of ideas. With this volume 18 of the Schtz Complete Recording, Hans-Christoph Rademann and a number of excellent soloists such as Dorothee Mields

Rav Amnon Bazak studied at the Netiv Meir Yeshiva High School in Jerusalem and then came to study at Yeshivat Har Etzion. In the context of the Hesder Program, he served in the military rabbinate, and has received Semicha and earned a Bachelor of Education degree from the Herzog College. Rav Bazak served as a Ram at Netiv Meir Yeshiva High School and since 1999, as a Ram in Yeshivat Har Etzion. Likewise, he teaches Tanach at the Herzog College and at the SKA Beit Midrash for Women in Migdal Oz, and edits the weekly journal Shabbat BeShabbato, as well as other books. He authored the 2 volume sefer, Nekudat Peticha - short studies in peshuto shel mikra arranged by order of parsha, based on his column in Shabbat BeShabbato, as well as Makbilot Nifgashot, highlighting literary parallels in Sefer Shmuel.

Despite the development in the philology, this 1961 Karl Richter interpretation of Bach remains a classic among classics. During his first year in Munich, Karl Richter became conductor of the 'Heinrich-Schtz-Kreis', which had been founded at the end of World War II, and renamed it Mnchener Bach-Chor (Munich Bach Choir) in 1954. Together with his newly established Bach Orchestra, Richter and the ensemble gave numerous concerts in Munich and performed regularly at the Bach-Tage Ansbach (Bach Day

This item is printed on demand - it takes 3-4 days longer - Neuware -Agnes von Waiblingen (1072-1143) war die einzig überlebende Tochter des Canossa-Kaisers Heinrich IV. Sie und ihr erster Gemahl Herzog Friedrich I. von Schwaben sind die Eltern des ersten staufischen Königs Konrad III. Über ihn wurde Agnes Stammmutter des wohl bedeutendsten mittelalterlichen Herrschergeschlechts der Staufer. Nach dem Tod Herzog Friedrichs heiratete sie in zweiter Ehe Markgraf Leopold III., den Heiligen, von Österreich und hatte mit ihm mindestens elf weitere Kinder, darunter den großen mittelalterlichen Geschichtsschreiber Otto von Freising und den ersten österreichischen Herzog Heinrich II. Jasomirgott. Mit Letzterem wurde Agnes auch Stammmutter des herzoglichen Zweiges der Babenberger. Wie keine andere Frau der Geschichte umringen Agnes innerhalb ihrer Familie zahlreiche gekrönte Häupter. Der Grad ihrer Stellung und die ihr entgegengebrachte hohe Wertschätzung werden dabei nicht nur aus ihrer Einbindung in Politik und Rechtsgeschäfte deutlich. Auch ihre kulturellen und künstlerischen Aktivitäten sowie ihre an die beiden Heiligen Elisabeth von Thüringen und Hedwig von Schlesien gemahnende Mildtätigkeit und Frömmigkeit haben dafür gesorgt, dass ihr Leben und Charisma selbst nach neun Jahrhunderten nicht an Faszination und Strahlkraft eingebüßt haben - Gründe, sie unter die bedeutendsten Persönlichkeiten an der Schwelle vom 11. zum12. Jahrhundert einzureihen. 362 pp. Deutsch

In Cold War Freud Dagmar Herzog uncovers the astonishing array of concepts of human selfhood which circulated across the globe in the aftermath of World War II. Against the backdrop of Nazism and the Holocaust, the sexual revolution, feminism, gay rights, and anticolonial and antiwar activism, she charts the heated battles which raged over Freud's legacy. From the postwar US to Europe and Latin America, she reveals how competing theories of desire, anxiety, aggression, guilt, trauma and pleasure emerged and were then transformed to serve both conservative and subversive ends in a fundamental rethinking of the very nature of the human self and its motivations. Her findings shed new light on psychoanalysis' enduring contribution to the enigma of the relationship between nature and culture, and the ways in which social contexts enter into and shape the innermost recesses of individual psyches.

For the first time in English, and in his signature prose poetry, the film scripts of four of Werner Herzog’s early works “Herzog doesn’t write traditional scripts,” Film International remarked of the master filmmaker’s Scenarios I and II. “Instead, he writes scenarios which are like a hybrid of film, fiction, and prose poetry.”Continuing a series that Publishers Weekly pronounced “compulsively readable . . . equal parts challenging and satisfying, infuriating and enlightening,” Scenarios III presents, for the first time in English, the shape-shifting scripts for four of Werner Herzog’s early films: Stroszek; Nosferatu, Phantom of the Night; Where the Green Ants Dream; and Cobra Verde. We can observe Herzog’s working vision as each of these scenarios unfolds in a form often dramatically different from the film’s final version—as, in his own words, Herzog works himself up into “this kind of frenzy of high-caliber language and concepts and beauty.”With Scenarios I and II, this volume completes the picture of Herzog’s earliest work, affording a view of the filmmaker mastering his craft, well on his way to becoming one of the most original, and most celebrated, artists in his field.

In Cold War Freud Dagmar Herzog uncovers the astonishing array of concepts of human selfhood which circulated across the globe in the aftermath of World War II. Against the backdrop of Nazism and the Holocaust, the sexual revolution, feminism, gay rights, and anticolonial and antiwar activism, she charts the heated battles which raged over Freud's legacy. From the postwar US to Europe and Latin America, she reveals how competing theories of desire, anxiety, aggression, guilt, trauma and pleasure emerged and were then transformed to serve both conservative and subversive ends in a fundamental rethinking of the very nature of the human self and its motivations. Her findings shed new light on psychoanalysis' enduring contribution to the enigma of the relationship between nature and culture, and the ways in which social contexts enter into and shape the innermost recesses of individual psyches.

Heinrich Schutz's compositions were hugely influenced by the horrors of the Thirty Years' War. He continually assimilated his anxious and painful experiences into his works, but in the process created an optimistic, peaceful view of the future. His Kleine geistliche Konzerte II are also a highly sensitive response to the social conditions of the time. This new recording of these works is now being released as part of the Schutz Complete Recording. This is one of the last recordings with the harp

Carl Heinrich Graun's "The Death of Jesus" was first performed on 26 March 1755 at Berlin Cathedral. The sister of King Friedrich Wilhelm II, Princess Anna Amalia, provided the impulse for the text and character of the work. Its popularity remained strong until Bach's St. Matthew Passion supplanted it in the late 19th c., the work succumbing to a lengthy and unjustified obscurity. A passion oratorio in the galant style, this new OehmsClassic recording features the Arcis Vocalists and the Baroque

The daughter of Germany's ambassador to Italy during World War II relives her experience as a hostage of Heinrich Himmler at the close of the war

Heinrich Harrer, already a famous mountaineer and Olympic ski champion, was caught by the outbreak of World War II while climbing the Himalyas. Being an Austrian, he was interned in India. On his third attempt, he succeeded in escaping from the internment camp and fled into Tibet. After a series of experiences in a country never crossed before by a Westerner, Harrer reached the Forbidden City of Lhasa. He stayed there for seven years, learned the language and acquired a greater understanding of Tibet and the Tibetans. He became friend and tutor to the young Dalai Lama and finally accompanied him into India when he was put to flight by the Red Chinese invasion. This film tie-in edition includes an epilogue from the author describing his return to Tibet in the 1990s.

Commenting on history: rare color photographs of the German "economic miracle"Germany after the war 1952 - 1967It was no more than eight years after the surrender of the Nazi government when Josef Heinrich Darchinger set out on his photographic journey through the West of a divided Germany. The bombs of World War II had reduced the country s major cities to deserts of rubble. Yet his pictures show scarcely any signs of the downfall of a civilization. Not that the photographer was manipulating the evidence: he simply recorded what he saw. At the time, a New York travel agency was advertising the last opportunity to go and visit the remaining bomb sites. Darchinger s pictures, in color and black-and-white, show a country in a fever of reconstruction. The economic boom was so incredible that the whole world spoke of an economic miracle. The people who achieved it, in contrast, look down-to-earth, unassuming, conscientious, and diligent. And increasingly, they look like strangers in the world they have created. The photographs portray a country caught between the opposite poles of technological modernism and cultural restoration, between affluence and penury, between German Gemütlichkeit and the constant threat of the Cold War. They show the winners and losers of the economic miracle, people from all social classes, at home, at work, in their very limited free time and as consumers. But they also show a country that looks, in retrospect, like a film from the middle of the last century.